Disney’s Snow White captivates with the pulse of re-imagined magic, a musical fantasy where Rachel Zegler’s Snow White sings – her growl a lilting hymn, her courage a steady gun – as she flees the Evil Queen (Gal Gadot), her every move a dance toward freedom, her destiny a ball bobbing on the edge of a poisoned apple. She is a reborn princess – her dark eyes aglow with resilience – teaming up with Jonathan (Andrew Burnap), a new ally whose bow is a silent oath, and seven dwarfs – Bashful, Doc, Dopey, Grumpy, Happy, Sleepy and Sneezy – whose CGI quirks sparkle with folk charm.

Queen Gadot plots—her roar is velvet thunder, her mirror is a loaded gun—while the kingdom hums with fairy-tale terror—the woods rustle with mossy shadows, the castle sparkles with icy splendor, the air is thick with flowers and faint malevolence, distant sirens thread through the silence. Director Marc Webb weaves a tapestry of nostalgia and novelty—new songs by Benj Pasek and Justin Paul, like “Waiting on a Wish,” soar with modern flare, drawing you into a story of defiance and destiny. It’s Snow White at its most ambitious and divisive—a classic reborn that will dazzle or divide when it hits theaters on March 21, 2025.